Guide to Paintings
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| Early Works | |||
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Seated Nude Male, from series of 15 studies from plaster casts, 1926 Charcoal on paper 24 x 19 inches |
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Belvedere Apollo, from series of 15 studies from plaster casts, circa 1925-1927 Pencil on paper 24 x 19 inches |
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Barberini Faun, from series of 15 studies from plaster casts, circa 1925-1927 Pencil on paper 24 x 19 inches |
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Mother Embracing Child, from series of 15 studies from plaster casts, circa 1925-1927 Charcoal on paper 24 x 19 inches |
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Study of Figure with Book, ca. late1930s |
The Baker, 1931 Oil on canvas 44 x 26 inches |
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| WPA and Wyoming | |||
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Astoria Houses, ca. mid-1930s Watercolor on paper 22 ¾ x 31 inches Unsigned |
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Astoria Houses, 1936 Watercolor on paper 22 ¾ x 31 inches Signed lower left, “To Ted Larson ‘Mr. Art School’” |
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Loading Logs, ca. 1930s-1940s Gouache on paper 15 ¾ x 22 ½ inches Unsigned Courtesy private collection |
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Vacant Building, |
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Small Town Street Scene, 1934 Watercolor on paper 17 5/8 x 21 ½ inches Signed upper left |
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Dull Day, 1934 Watercolor on paper 11 ¾ x 18 ½ inches Signed lower left |
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Scene with Houses and Church, 1934 Watercolor on paper 19 7/8 x 24 5/8 inches Signed upper left |
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Riot in Front of a Church, 1936 Watercolor on paper 19 7/8 x 25 inches Signed lower right |
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Silver Stacks, 1936 Watercolor on paper 20 x 26 inches Signed upper right |
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Silos at Night, 1937 Watercolor on paper 22 ½ x 31 inches Signed lower right |
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Factory, 1937 Oil on canvas 24 x 30 inches Signed lower right |
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Coming Over the Hoback Gouache on paper 15 x 21 ¾ inches Courtesy Sweetwater School District No. 1, Rock Springs, Wyoming; displayed at the Community Fine Arts Center |
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Quealy Mine, |
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Untitled (figures with bottles and a cross) Gouache and watercolor on paper 11 ½ x 9 ¾ inches Signed lower left |
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Bathhouse T, ca. late 1930s-1940s Oil on canvas 20 x 44 inches Unsigned |
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Bathhouse, ca. late 1930s-early 1940s Oil on board 16 x 33 ½ inches Signed lower right |
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Bathhouse, #4 Mine, ca. 1940s Oil on canvas 20 x 36 inches Signed lower right |
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Untitled (town scene), 1940 Gouache and watercolor on paper 15 ½ x 22 ¾ inches Signed lower left |
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Coal Yard, 1940 Gouache on watercolor paper 14 ½ x 21 ½ inches Signed lower left |
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Rock Springs Canyon, ca. 1940s Oil on canvas 18 x 24 ¼ inches Signed lower right |
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Study for Take Home Pay, ca. 1940s Charcoal on paper 9 ½ x 7 ¼ inches Signed lower right center |
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Take Home Pay, 1946 Oil on canvas on board 30 x 24 inches Signed lower right |
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Study for Crucifixion, ca. 1940s Charcoal on paper 24 x 19 inches Signed lower center |
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Crucifixion, ca. 1940s Oil on canvas 29 x 38 inches Signed lower left |
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Dawn in Wyoming, ca. 1940s Oil on canvas 21 x 17 inches Signed lower center |
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Study for Red Roan, ca. 1940s Watercolor and pastel on paper 21 x 15 inches Unsigned |
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(verso) Study for Red Roan, ca. 1940s Gouache and watercolor on paper 11 ½ x 9 ¾ inches Unsigned |
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Strawberry Roan, ca. 1940s Oil on canvas 38 x 32 inches Signed lower left |
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Front Street, 1944 Oil on canvas 21 x 40 inches Signed lower right |
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Bach, 1945 Oil on canvas 26 x 40 inches Signed lower right |
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Windy Afternoon, 1945 Oil and egg tempera 28 x 38 inches Signed lower right |
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Smokehouse (Reflections on Poker), 1945 Oil on canvas 28 x 34 inches Signed lower left |
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Road Gang, 1945 Oil on canvas 20 x 26 inches Signed lower left |
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Sawtooth, 1945 Oil on canvas 29 x 38 inches Signed lower right |
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The Miners, 1946 Oil on board 29 x 23 ½ inches Signed lower left Courtesy the Albrecht-Kemper Museum of Art Gift of Blanche Carstenson, 1993.11 |
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Rain on Top, 1946 Oil on canvas 21 x 40 inches Signed lower left |
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Kanda, 1946 Oil on canvas 27 x 40 inches Signed lower right |
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Untitled (abstract), 1947 Watercolor on paper 18 x 24 1/8 inches Signed lower right |
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Below Rock Springs, 1947 Oil on canvas 20 x 26 inches Signed lower right |
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Conflict, ca. early 1950s Oil on canvas 29 x 38 inches Signed lower left |
| #194, 1946 Watercolor on paper 14 3/4 x 23 inches |
Crossroads, 1940 Gouache on paper 22 1/2 x 29 inches |
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Miner/Take Home Pay, 1972 Watercolor 37 1/2 x 29 inches |
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Dock Scene, Gouache 14 x 22 |
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Smokehouse, small, Oil 14 1/2 x 18 inches |
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| Monhegan Island | |||
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Monhegan Coast, ca. 1940s Watercolor on paper 10 5/8 x 15 inches Signed lower right |
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Untitled, ca. 1950s Watercolor on paper 15 ½ x 22 5/8 inches Unsigned |
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Rock Lines, 1954 Watercolor on paper 14 ½ x 21 ¾ inches Signed lower right |
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Untitled, ca. 1970s Watercolor on paper 15 ¾ x 23 inches Signed lower right |
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Cathedral Woods, ca. 1970s Watercolor on paper 22 5/8 x 15 5/8 inches Unsigned |
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Cathedral Woods, ca. 1970s Watercolor on paper 23 x 15 ½ inches Unsigned |
| Monhegan #200, circa 1954 Watercolor on paper 15 1/2 x 23 inches |
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Monhegan #169, circa 1954 Watercolor on paper 11 x 15 1/2 inches |
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Monhegan 1954, Watercolor 15 1/2 x 22 inches |
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| MacDowell Colony and Owl's Head | |||
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Untitled, from Cathedral Woods Series, ca. 1950s-1990s Watercolor on paper 15 ¼ x 22 ¼ inches Unsigned |
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Maine Trees, 1958 Watercolor on paper 22 x 30 1/8 inches Signed lower left |
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Untitled (landscape), ca. 1960s Watercolor on paper 23 x 31 inches Unsigned |
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Maine Front Yard, 1967 Watercolor on paper 31 x 22 ½ inches Unsigned |
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Untitled, 1968 Watercolor on paper 22 ¼ x 31 1/8 inches Signed on reverse |
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Cathedral Woods, MacDowell, Watercolor 48 3/4 x 35 inches |
| Portraits | |||
| Self-portrait at age 16, 1931, Oil on canvas 30 x 22 inches Signed on back |
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Self-portrait, 1934 Charcoal on paper 19 x 16 inches Signed lower right |
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Self-portrait, from Touch of Thought Series, ca. 1940s Charcoal on paper 24 x 13 ½ inches Signed lower left |
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The Meeting (Portrait of Leah), 1947 Oil on canvas 28 x 34 inches Signed lower center |
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Untitled (Portrait of artist Mark Tobey), 1950 Gouache on paper 23 x 15 ¾ inches Signed lower left |
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Mother and Child, 1952 Oil on canvas 30 x 22 inches Signed lower right |
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Self-portrait, from Touch of Thought Series, ca. early 1950s Oil on canvas 38 x 22 inches Signed lower left |
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Self-portrait, 1956 Watercolor on paper 23 x 15 ¾ inches Signed lower right |
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Self-portrait, from Touch of Thought Series, ca. 1960s-1980s Graphite on paper 35 x 23 inches Signed lower right |
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Study of Two Seated Females (Demonstration Piece), 1962 Oil on canvas 65 ¾ x 53 ¼ inches Unsigned |
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Self-portrait, from Touch of Thought series, ca. 1970s-1980s Oil on canvas 30 ¼ x 20 ¼ inches Signed on reverse |
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Study of Thomas Hart Benton, 1973 Charcoal on paper 25 x 19 inches Signed at neck |
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Study for Benton, 1973 Oil on board 14 x 12 inches Unsigned |
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Thomas Hart Benton, 1973 Oil on canvas 34 x 28 inches Signed lower right |
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Nude, commercial style, oil 27 x 22 inches |
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Leah on Balcony, Watercolor 31 5/8 x 25 inches |
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Touch of Thought, watercolor 22 1/2 x 17 inches |
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Self Portrait 1941, Chalk on Cardboard 24 x 18 inches |
| Late Works | |||
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Untitled (landscape), ca. 1940s-1960s Oil on canvas 36 x 54 ¼ inches Unsigned |
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Trip to Spain, 1972 Watercolor on paper 20 x 16 inches Unsigned |
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White, 1992 Oil and tempera on canvas 28 x 39 ¼ inches Unsigned |
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